Ableton Suite 8 is 50 percent live performance instrument, 50 per cent digital audio workstation…and 50 per cent remix tool. If that sounds like 150 per cent…it is! Based around the latest release of Ableton’s now legendary ‘Live’ application, it adds into the mix no less than ten instruments and sample libraries. If you’re not already familiar with Live, either you’re an Alpha Centaurian Ostrich, or a member of Status Quo. Either way, you can familiarise yourself with what it is and does here. Continue reading “Ableton Suite 8”
© 2010, The Technofile. All rights reserved. Moral Rights Asserted.
At the risk of stating the obvious, it’s the start of a new decade and this, in conjunction with the Technofile celebrating its 5th birthday (albeit slightly belatedly) seems like the perfect opportunity to give out some awards. Unlike everyone else’s awards though, the Technies are not for the best of 2009, or even for the best of the noughties. They are for, what, in the opinion of The Technofile, is the best software and hardware currently available to creative professionals. Whether it was released yesterday or 5 years ago is immaterial, the only stipulation is that you can go out and buy it…or sit at home and download it (legally, of course) now. So, without further ado: Continue reading “The Technofile Awards 2010”
© 2010 – 2017, The Technofile. All rights reserved. Moral Rights Asserted.
I remember a time when no DJ worth his salt took CD players seriously (I say his, because they were all blokes back then). The objections were longer than a 12” (remember those?). “CDs are all very well, but what are you going to do when one starts jumping in the middle of a set?”…“It’s not like you can scratch with them is it?” “CDs? What next, female DJs?” Enter Pioneer (DJ booth left), with their now legendary CDJ-1000s, which, combined rock solid performance, optimal ergonomics, industrial build quality and the ability to emulate the entire cannon of vinyl tricks…and then some. The CDJs revolutionised the industry to such an extent that it’s almost impossible to find a club that doesn’t have a pair. But with a whole new generation getting their tunes direct from the net (some even, legally…) and the ever growing popularity of laptop DJing with Live, Traktor and Serrato, it seems that the graffiti’s on the wall for CDs. So what next? Continue reading “Pioneer CDJ-2000”
© 2009 – 2010, The Technofile. All rights reserved. Moral Rights Asserted.
Desktop audio and video editing is a great thing…using a mouse to navigate a timeline is not…enter Contour Design’s Shuttle Pro, a mini control surface that’s pre-configured to work out of the box with many of today’s top A/V applications. Continue reading “Contour Design Shuttle Pro V2.0”
© 2008 – 2010, The Technofile. All rights reserved. Moral Rights Asserted.
In the UK, there’s no shortage of music industry trade shows, but until recently if you wanted to check out the latest DJing kit, you were faced with a choice between PLASA (the main focus of which is sound and lighting for concert tours and large installations, making it 95% irrelevant to the average DJ) and a handful of shows targeted at musicians and producers. Last weekend though, the landscape changed, as DJs took control at BPM, a brand new show organised by Marked Events. Continue reading “BPM”
© 2007 – 2010, The Technofile. All rights reserved. Moral Rights Asserted.