The Technofile Awards 2010

The Technofile 2010 Awards

At the risk of stating the obvious, it’s the start of a new decade and this, in conjunction with the Technofile celebrating its 5th birthday (albeit slightly belatedly) seems like the perfect opportunity to give out some awards. Unlike everyone else’s awards though, the Technies are not for the best of 2009, or even for the best of the noughties. They are for, what, in the opinion of The Technofile, is the best software and hardware currently available to creative professionals. Whether it was released yesterday or 5 years ago is immaterial, the only stipulation is that you can go out and buy it…or sit at home and download it (legally, of course) now. So, without further ado: Continue reading “The Technofile Awards 2010”

© 2010 – 2017, The Technofile. All rights reserved. Moral Rights Asserted.

Canon PowerShot G10

Canon’s Powershot G9 was an instant hit with professional photographers searching for a take anywhere/backup camera. In fact, it seems like there’s barely a photojournalist I know who doesn’t own one. Its successor, the, perhaps unsurprisingly named G10, has much to live up to. Does it succeed, or is it an upgrade too far? Continue reading “Canon PowerShot G10”

© 2009 – 2010, The Technofile. All rights reserved. Moral Rights Asserted.

Nikon Solutions Expo 2008

Nikon Solutions Expo reviewed by MC rebbe

When I first heard about the Nikon Solutions Show, I, quite naturally, assumed it would be little more than evangelism for the converted. Then I saw the lineup which, boasting names like Joe Cornish and Andy Rouse, turned out to be even better spec’d than Nikon’s latest DSLRs!

Two of the highlights of the show were, unquestionably, Cornish’s and Rouse’s talks. Joe Cornish co-presented with fellow top UK landscape photographer, Paul Gallagher, both of whom continue to work traditionally using 5×4 field cameras (the former using colour transparency, the latter using black and white). This being the case, some may wonder what they were doing at a show sponsored by a company that has never made 5×4 cameras and that recently announced they are to stop manufacturing film cameras altogether (ya boo). But I give major props to Nikon, for hosting talks such as this, which were about photography in its purest form, not an excuse to sell kit. Continue reading “Nikon Solutions Expo 2008”

© 2008 – 2010, The Technofile. All rights reserved. Moral Rights Asserted.

Snap, Bang, Wallop

If you think that The Technofile has been dominated by cameras of late, guess what…here’s a feature about cameras…What can I tell you, Photokina, the world’s biggest photography trade show has just finished, as a result of which there has been a deluge of product announcements in recent weeks.

First Sony announced the long awaited Alpha 900, their first full frame (35.9mm x 24mm) DSLR. Priced to match Nikon’s lauded D700, but offering twice the resolution (24.6 mega pixels), it boasts 100% viewfinder coverage, exchangeable viewfinder screens, 2.5-4 stops of image stabilisation built into the magnesium alloy body, sensor cleaning, ISO equivalence expandable to 100-6400, a maximum shooting rate of 5 frames per second (for 100 frames) and an expanded range of Carl Zeiss lenses. It also offers a couple of innovations, the first being in camera HDR creation using auto bracketing and the second being an intelligent preview mode that allows you to use the 3inch 921,000 dot LCD screen at the back of the camera to preview the effects of settings such as white balance and exposure compensation before taking a picture. Offering these features at this price will undoubtedly make it a prosumer hit.

Sony Alpha 900 previewed in The technofile

Continue reading “Snap, Bang, Wallop”

© 2008 – 2010, The Technofile. All rights reserved. Moral Rights Asserted.

Nikon D700 – Preview

Nikon D700 previewed in the Technofile

When it comes to still photography, digital has all but won the argument. It’s more convenient, almost instantaneous and, if you exclude the cost of needing to update your equipment every two and a half minutes, far cheaper than silver. In fact, it really only has one problem, it simply doesn’t look like film. Or at least it didn’t until a year or so ago, when Nikon released their much lauded D3, which, to my eyes (with or without the sunglasses) was the first small format digital camera to produce results that genuinely looked as if they could have been shot on film. Continue reading “Nikon D700 – Preview”

© 2008 – 2010, The Technofile. All rights reserved. Moral Rights Asserted.