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	<title>The Technofile &#187; DJ</title>
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	<link>http://thetechnofile.com</link>
	<description>Technology for creatives: photography, video, film, music, DJ, VJ, animation, web, design, art.</description>
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		<title>Ableton Suite 8</title>
		<link>http://thetechnofile.com/2010/06/11/ableton-suite-8/462/</link>
		<comments>http://thetechnofile.com/2010/06/11/ableton-suite-8/462/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 13:08:48 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
				<category><![CDATA[All Posts]]></category>
		<category><![CDATA[Audio/Music]]></category>
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		<category><![CDATA[Ableton Live 8]]></category>
		<category><![CDATA[Ableton Suite 8]]></category>
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		<category><![CDATA[Music Technology]]></category>

		<guid isPermaLink="false">http://thetechnofile.com/?p=462</guid>
		<description><![CDATA[
Ableton Suite 8 is 50 percent live performance instrument, 50 per cent digital audio workstation…and 50 per cent remix tool. If that sounds like 150 per cent…it is! Based around the latest release of Ableton’s now legendary ‘Live’ application, it adds into the mix no less than ten instruments and sample libraries. If you’re not [...]]]></description>
		<wfw:commentRss>http://thetechnofile.com/2010/06/11/ableton-suite-8/462/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Technofile Awards 2010</title>
		<link>http://thetechnofile.com/2010/01/12/the-technofile-awards-2010/225/</link>
		<comments>http://thetechnofile.com/2010/01/12/the-technofile-awards-2010/225/#comments</comments>
		<pubDate>Tue, 12 Jan 2010 00:01:16 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
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		<guid isPermaLink="false">http://thetechnofile.com/?p=225</guid>
		<description><![CDATA[
At the risk of stating the obvious, it’s the start of a new decade and this, in conjunction with the Technofile celebrating its 5th birthday (albeit slightly belatedly) seems like the perfect opportunity to give out some awards. Unlike everyone else’s awards though, the Technies are not for the best of 2009, or even for [...]]]></description>
		<wfw:commentRss>http://thetechnofile.com/2010/01/12/the-technofile-awards-2010/225/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Pioneer CDJ-2000</title>
		<link>http://thetechnofile.com/2009/09/17/pioneer-cdj-2000/221/</link>
		<comments>http://thetechnofile.com/2009/09/17/pioneer-cdj-2000/221/#comments</comments>
		<pubDate>Thu, 17 Sep 2009 23:58:37 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
				<category><![CDATA[Audio/Music]]></category>
		<category><![CDATA[DJ]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Previews]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://thetechnofile.com/2009/09/17/pioneer-cdj-2000/221/</guid>
		<description><![CDATA[
I remember a time when no DJ worth his salt  took CD players seriously (I say his, because they were all blokes back then). The objections were longer than a 12” (remember those?). “CDs are all very well, but what are you going to do when one starts jumping in the middle of  [...]]]></description>
		<wfw:commentRss>http://thetechnofile.com/2009/09/17/pioneer-cdj-2000/221/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>BPM</title>
		<link>http://thetechnofile.com/2007/11/18/bpm/203/</link>
		<comments>http://thetechnofile.com/2007/11/18/bpm/203/#comments</comments>
		<pubDate>Sun, 18 Nov 2007 21:35:20 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Audio/Music]]></category>
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		<guid isPermaLink="false">http://thetechnofile.com/2007/11/18/bpm/203/</guid>
		<description><![CDATA[
In the UK, there&#8217;s no shortage of music industry trade shows, but until recently if you wanted to check out the latest DJing kit, you were faced with a choice between PLASA (the main focus of which is sound and lighting for concert tours and large installations, making it 95% irrelevant to the average DJ) [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pioneer SVM-1000</title>
		<link>http://thetechnofile.com/2007/10/11/pioneer-svm-1000/202/</link>
		<comments>http://thetechnofile.com/2007/10/11/pioneer-svm-1000/202/#comments</comments>
		<pubDate>Thu, 11 Oct 2007 01:36:10 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
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		<guid isPermaLink="false">http://thetechnofile.com/2007/10/11/pioneer-svm-1000/202/</guid>
		<description><![CDATA[
Back in 2004, Pioneer released the groundbreaking &#8216;DVJ-X&#8217;, which allowed DJs and VJs to scratch, loop and mash up DVDs in almost exactly the same way they had previously done with CDs, using the company&#8217;s &#8216;CDJ&#8217; decks. 
Quickly taking pride of place in clubs the world over and on numerous technical riders, the DVJ-X1 and [...]]]></description>
		<wfw:commentRss>http://thetechnofile.com/2007/10/11/pioneer-svm-1000/202/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ableton Live 6</title>
		<link>http://thetechnofile.com/2007/01/02/ableton-live-6/181/</link>
		<comments>http://thetechnofile.com/2007/01/02/ableton-live-6/181/#comments</comments>
		<pubDate>Tue, 02 Jan 2007 10:10:12 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
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		<guid isPermaLink="false">http://thetechnofile.com/2007/01/02/ableton-live-6/181/</guid>
		<description><![CDATA[Everyone’s favourite audio application is back with a brand new version and having spent some time putting it through its paces, I have to say, it rocks!
Often, when manufacturers release a new version of their software, it’s with a brand new interface, which is necessary because the old one sucked…not that the new interface is [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Audio-Visual Art + DJ Culture Edited by Michael Faulkner/D-Fuse</title>
		<link>http://thetechnofile.com/2006/11/26/d-fuse-vj-book/178/</link>
		<comments>http://thetechnofile.com/2006/11/26/d-fuse-vj-book/178/#comments</comments>
		<pubDate>Sun, 26 Nov 2006 16:35:27 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
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		<guid isPermaLink="false">http://thetechnofile.com/2006/11/26/audio-visual-art-dj-culture-edited-by-michael-faulknerd-fuse/178/</guid>
		<description><![CDATA[If you want to find your way into the VJing scene, you can either head for the next AV Social, or you can buy yourself a copy of  ‘Audio-Visual Art + DJ Culture’, edited by Michael Faulkner/D-Fuse…the world’s #12 VJs according to DJ Magazine.
Not so much a book as an visual experience, its lavishly illustrated 191 [...]]]></description>
		<wfw:commentRss>http://thetechnofile.com/2006/11/26/d-fuse-vj-book/178/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>London Calling 2006</title>
		<link>http://thetechnofile.com/2006/07/06/london-calling-2006/168/</link>
		<comments>http://thetechnofile.com/2006/07/06/london-calling-2006/168/#comments</comments>
		<pubDate>Thu, 06 Jul 2006 00:14:08 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
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		<guid isPermaLink="false">http://thetechnofile.com/2006/07/06/london-calling-2006/168/</guid>
		<description><![CDATA[
Last week, London&#8217;s Earls Court played host to “London Calling,” a newish (as opposed to a Jewish) music biz conference/expo/ showcase that claims to be “the dynamic new international event for artists, managers, labels, service providers, brands and the new companies building the future of music business,” but which was so dominated by the net, [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Native Instrument’s Traktor 3 DJ Studio</title>
		<link>http://thetechnofile.com/2006/06/11/traktor-3/165/</link>
		<comments>http://thetechnofile.com/2006/06/11/traktor-3/165/#comments</comments>
		<pubDate>Sun, 11 Jun 2006 13:29:02 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
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		<guid isPermaLink="false">http://thetechnofile.com/2006/06/11/native-instrument%e2%80%99s-traktor-3-dj-studio/165/</guid>
		<description><![CDATA[Rumours of the death of vinyl used to be greatly exaggerated. Not anymore. None of my superstar DJ friends want the hassle of  dragging a box of records (or even CDs) with them everywhere they fly, with all the inherent risks of precious and irreplaceable vinyl getting damaged, lost  and delayed, when they can simply [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ableton Live 5</title>
		<link>http://thetechnofile.com/2006/05/12/ableton-live-5/160/</link>
		<comments>http://thetechnofile.com/2006/05/12/ableton-live-5/160/#comments</comments>
		<pubDate>Fri, 12 May 2006 00:59:01 +0000</pubDate>
		<dc:creator>MC Rebbe</dc:creator>
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		<guid isPermaLink="false">http://thetechnofile.com/2006/05/12/ableton-live-5/160/</guid>
		<description><![CDATA[&#8220;Where have you been all my life,&#8221; is not a phrase I&#8217;d normally associate with software. In fact, up until now, it’s been reserved for the moment when Destiny’s Child, Winona Ryder and Angelina Jolie arrive simultaneously at my front door…bearing a platter of cold meats… but I’m making an exception  for Ableton’s Live 5, [...]]]></description>
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		<slash:comments>0</slash:comments>
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