Once upon a time, if you wanted to make a movie, you’d need a sound recordist to capture audio to tape (as film doesn’t record sound) and a clapperboard to enable you to sync them up in post. Then along came video (which magically captures both sound and pictures to the same medium) and the clapperboard went out of the window with the baby, the bathwater and the bath. But that wasn’t the end of the story because the advent of the HD DSLR has meant that filmmakers once again have the need for clapperboards. So where do you go when you want a clapperboard…Clapperboard.com? Almost…Clapperboard.net actually! Visit the site and you’ll see a dizzying array of clapperboards by ‘365 Group’ costing from £15 to £1500. I tested their most popular model, the ‘Acrylic clapperboard with black & white sticks 280mm x 240mm’, which, at £39.99 represents excellent value for money. Continue reading »
Ableton Live is something of a dichotomy. For live performance and remixing it provides the best possible software interface…which is seriously constrained by the worst possible hardware interface…a screen and a mouse. And if that’s not bad enough, running Live on a laptop, on stage, makes it look more like you’re surfing the web than performing. The answer is a control surface that frees you from the prison of the computer and lets you play ‘Live’. Although there are plenty of these around, until recently, none were optimal or optimised for working with Live. However, Akai Professional’s dedicated Live controller, the APC40, changes this. Continue reading »
If you think that HDSLRs are the only game changer in town, think again. Over the last few years there’s been a revolution going on in lighting, at the forefront of which are Litepanels. In fact, their use of proprietary LED technology is so innovative that last year, the Academy of Television Arts & Sciences awarded them an Emmy! Continue reading »

Canon recently gave me hands on access to their newly announced and yet to be released XF305 & XF300. Although I haven’t had a chance to shoot with them yet, I have seen ungraded footage from a couple of shoots on which they’ve been used and am extremely impressed with both the cameras themselves and the results they are capable of delivering. Continue reading »

Vincent Laforet is a highly successful and award winning photographer who, back in 2008, managed to get hold of a prototype Canon 5D MKII for a weekend. The result was a visually stunning short film entitled ‘Reverie‘, that spread across the net like wildfire, capturing viewers imaginations and giving birth to the HD DSLR ‘movement’. Last weekend Laforet lead a workshop that, in its own way, was just as unique an experiment as that first short. Why? Because all three days were broadcast live on the net. Continue reading »
NAB 2010
A week might be a long time in politics, but 24 hours is even longer in technology, as evidenced by this year’s NAB, which, regardless of the non attendance of some high profile companies, will go down in history as one of the most significant NABs ever. Continue reading »

I remember a time when no DJ worth his salt took CD players seriously (I say his, because they were all blokes back then). The objections were longer than a 12” (remember those?). “CDs are all very well, but what are you going to do when one starts jumping in the middle of a set?”…“It’s not like you can scratch with them is it?” “CDs? What next, female DJs?” Enter Pioneer (DJ booth left), with their now legendary CDJ-1000s, which, combined rock solid performance, optimal ergonomics, industrial build quality and the ability to emulate the entire cannon of vinyl tricks…and then some. The CDJs revolutionised the industry to such an extent that it’s almost impossible to find a club that doesn’t have a pair. But with a whole new generation getting their tunes direct from the net (some even, legally…) and the ever growing popularity of laptop DJing with Live, Traktor and Serrato, it seems that the graffiti’s on the wall for CDs. So what next? Continue reading »

When I reviewed SanDisk’s 2 GB Extreme III card, a couple of years ago, I reached the conclusion that (with a 12bit 10MP DSLR) it was blazingly fast, if a little small storage wise. Technology moves on and although Extreme III media copes admirably well with most things you can throw at it, with today’s DSLRs and Medium format backs offering ever higher Mega Pixel counts, bit depths and shooting rates, if you really want to take things to the max, SanDisk’s Extreme IV cards may be your best option. Continue reading »

A few years ago, if a girl had asked me “Is that a 16GB hard drive in your pocket or are you just pleased to see me,” I would have taken it as a compliment. Nowadays I’d take it as an insult. That’s progress for you, or miniaturisation at any rate, as elegantly demonstrated by the SanDisk Cruzer Contour 16Gb, which has been in my pocket for the past few months. Continue reading »







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