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If you want to run an old school DAW (Digital Audio Workstation) package on your PC, you have a choice of three applications, Cubase, Pro Tools and Sonar. Of these, Sonar is, relatively rapping, the new kid on the blog, but don’t underestimate it…though it doesn’t have quite the same pedigree as its two main rivals, it costs half the price, offers a very similar feature set and has some unique tricks up its sleeve, that make it worthy of serious consideration. Continue reading »
This year, Christmas is coming early, courtesy of Adobe, who have decided to release a public beta version of Photoshop 3. According to the company, this is to “enable customers to more easily transition to the latest hardware platforms, particularly Apple’s new Intel-based systems.”
You can download the beta, which is available as a Universal Binary for Macs or as a Windows XP/Vista compatible version, from http://labs.adobe.com, but in order to be able to do so, you’ll need a serial number from either Adobe Photoshop CS2, Adobe Creative Suite® 2, Adobe Creative Suite Production Studio, Adobe Design Bundle, Adobe Web Bundle or Adobe Video Bundle. If you don’t have a serial, you can still download the software, but it will expire after two days. Whether or not you have a serial, you’ll need to register online with Adobe or have an existing Adobe.com membership account to access the download.
Adobe claim that Photoshop CS3 is “packed with new features,” including a pre-release version of a major upgrade to Adobe Bridge and the brand new ‘Adobe Device Central’, which, Adobe say, can be used to “design, preview and test compelling mobile content, created specifically for smaller screens.”
Though Adobe say there will still be some surprises in store when the final version is released, you’ll have to wait ‘till a yet unnamed date in Spring 2007 to find out what they are.
More info: http://labs.adobe.com
According to legend, back in 1998, Tomoyasu Hirano (now the CEO of Digital Stage) had a VJing gig. At the time most Japanese VJs did their thing with video tapes, but since Hirano’s repertoire was entirely computer generated, he, quite logically wanted to find a way to output direct from his computer, so he wrote some software…in one evening (the evening before the gig no less)…and so Motion Dive was born, which, as it evolved, gained the suffix ‘.Tokyo’, in reference to the scene out of which it had grown.
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